There are two types of aesthetic genres in China: the hibiscus and the plaque. Since the Qing Dynasty, since the beginning of Yongzheng, all the mistakes have been made, and it is indeed a matter of spared no expense. The crafts of the Qing Dynasty were also carved. But now it is not necessary to see some complicated, it is a negation of the Ming style tradition. The craft is very high, but aesthetically it is a retrogression. Symbolic elements usually disassemble the components in terms of the ontology elements of the design. They have no practical functional meaning, and only release the aesthetic light of the elements. If they are combined into a chair, they can fully express the semantic extension and connotation. And has a multi-dimensional free creation space. Classical furniture, in terms of the extension of its form: it starts from the way of human behavior "sitting" (it is in danger of sitting), that is, the functional form is basically fixed and expanded: such as drum stools, armchairs, armchairs, armchairs, cabinets, Eight-step bed, canopy bed, etc., supplemented by the combination of square and garden shaped elements. In order to meet the diverse experience of people's "sitting", it can be described as the "naturally carved, clear water and hibiscus" craftsmanship. The taste of Weilin classical furniture: freedom, richness, symbolism, metaphor, etc., is its main image idea, and it greatly enhances the inner taste and strengthens the vividness and perfection of the symbol form. Such as the four-headed official hat chair, with knotted armchairs. A pair of slim and sleek large-leaf huanghuali circle chair, a simple and elegant line of big yellow huanghuali small chess table witnessed "Chinese art is line art, Ming style furniture is no exception." The use of lines will affect the beauty of furniture It has an impact. "It’s like a straight line doesn’t give people a feeling of being too noisy. It makes people feel quiet, but it will make your eyes go back and forth on the line. The noise-like lines in the music will make people feel uneasy, and the curve will give people a feeling. A more comfortable look." There are two types of aesthetic genres in China: the hibiscus and the plaque. Since the Qing Dynasty, since the beginning of Yongzheng, all the mistakes have been made, and it is indeed a matter of spared no expense. The crafts of the Qing Dynasty were also carved. But now it is not necessary to see some complicated, it is a negation of the Ming style tradition. The craft is very high, but aesthetically it is a retrogression. The low-key and gorgeous of the big yellow pears seems to be silently saying that the design of furniture should be consistent with the identity, personality, aesthetic pursuit and the environment of the times. In the past 20 years, the price of hardwood furniture such as huanghuali has increased by 50 to 100 times, among which the increase of huanghuali is the most amazing. In order to meet the demand, many manufacturers have also introduced a series of traditional furniture that is more modern and simple. The new-young series of large-leaf huanghuali launched by Weilin Classical Furniture is specially designed to meet the needs of younger consumers. For home needs, Weilin Wood has also innovated new products that are not found in traditional Chinese furniture such as coffee tables. Many young people are touched by their unique beauty after they actually come into contact with mahogany furniture. Most of the mahogany furniture has a simple shape and a high taste, and it can perfectly match the modern home decoration. Moreover, many modern furniture will have various quality problems after a long period of use, and need to be repaired and replaced. The mahogany furniture is the opposite. The more solid the more, the more lubricated the color. Powder Packing Machine,Sugar Packing Machine,Vertical Ffs Packing Machine,Coffee Powder Packaging Machine Jinan Guoqiang Machinery CO,.ltd , https://www.jinanpackaging.com